viernes, 8 de septiembre de 2006

How do you say 'Homeboy' in Catalan? (en BcnWeek)

(published in BCNWeek Magazine, Barcelona, September 2006)

WIZARD'S EYES

The bewitched eyes of this band's gaze - Ojos de Brujo - transform the fruits of keen observation into magic through lyrics that constantly denoune the world's injustices.

The original idea wasn't to form a band; they started as a group of friends meeting for jam sessions and then somebody recorded them. Currently they are 18 musicians performing in their natural live medium.

Their melodies show continuous experimentation - they've got their fingers in genres such as hip hop, funk, electronic or tango - but alwais from a fundamental base of flamenco, the sound running through their veins.

They self-manage, editing and producing their own albums with their record lavel, La Fabrica de Colores, and this allows them to be totally independent and to make the music that they like.

Their next concert in BArcelona will be on the 6th of October.

THE KID THAT CAME FROM HELL

The kid is Barcelonés and a former street cleaner born in Santa Coloma who composed sweeping the streets of El Carmelo. His lowly initiation came playing in bars and in the street with his guitar and a cap for coins. And noy wome call him the new sensation of the "Sonido Barcelona".

His album "Vamos que nos vamos" is inspired by the streets, the music is spontaneous and charismatic like him, Jairo, el muchacho. He's an atypical magnetic personage making him a powerful figure on the stage - each concert is different with plenty of surprises. Experiencing one of his concerts is synonymous with entertainment, guaranteed - you don't even ever know how long it will last.

His lyrics speak of the marginalized living on the borders of law, his mestizo sounds fuse rumba with swing, hip hop or the rollo latino that reminds me of Manu Chao.

DALE ESTOPA!

Two brothers from Cornellá, former employees of the SEAT factory, make up this BCN band. They make music full of energy, intermingling rumba, reggae, rock, rap and bossa nova - and these are just a few of the styles that they dip into. They're considered difficult to categorize, but they have put rumba back to the place where it deserves; they have giveng calorro its more romantic dimension.

They are charnegos and don't feel Catalan, but rather citizens of the world. Their songs are essentially costumbrista and conscious of class, due to their background. They grew up in their father's bar; Los Chichos marked their childhood because of the cassettes that their father used to play at every moment.

In the titles of their songs, like "Tu calorro", "Cacho a Cacho" and "La raja de tu falda" - the song that made them famous. you feel the freshness, the argot vocabulary transmits buen rollo. They speak streetspeak, from the suburbs more cañi, so if you want to learn real Spanish, you must learn Estopa.

They play in Barcelona (or rather, Badalona) on the 14th of October.

Buy Me a Mercedes-Benz (en BcnWeek)

(published in BCNWeek Magazine, Barcelona, September 2006)

EXHIBIT /// RAS GALLERY /// TIL NOV 11

Take the highway B14 in the southwest of Germany. This road will lead you to the city of Stuttgart. Just before entering the city, you'll be impacted on one side by an amazing new building that will make you stop and have a look for sure. This is the Mercedes-Benz Museum, recently inaugurated in May of 2006 and designed by UNStudio.

You probably can't go to Stuttgart right now to enjoy the museum and the 160 Mercedes cars inside it, but if you go to the Ras Gallery's "Buy Me a Mercedes Benz" exhibition during the next weeks (till 11 november), you'll get the picture of the meaning of this impressive grey mass of cement.

9 floors, 16.000m2 of exhibition space and more than 450.000 visitors per year prove that the Mercedes-Benz Museum in Stuttgart makes everyone forget that they are in a museum. None of the problems that make the traditional museums less and less sustainable ocur. The works around you belong to no other culture than your own because they are much closer to you than most of today's art.

In addition to the exhibition space, the museum includes a store, a restaurant, a museum for children and a cinema. The organizational structure is based on the visitors' continuously changing direction and the dynamic interchange between the interior and the outside. As the creators of the building affirm: "The architect will be concerned with dressing the future, speculating, anticipating coming events and holding up a mirror to the world".

Before leaving the exhibition, spend some minutes taking a look at hte book that has been published on the architectonic project. Inside, you'll have the opportunity to see all the documents that gave origin to the idea of the museum; the book explains how it's all been expertly combined and interlaced to end finally with this remarkable building, which is destined to become part of books of architecture and unieversity lessons in the future.